ILLUMINATOR

Illuminator Film Service specializes in the technical support of the film set. We provide everything the operator needs from cameras and light to specialized transport. Maintenance and delivery of equipment is provided by professional personnel and proper transportation. We are ready to serve various types of filming, whether it is advertising, a video clip, a television show or a full-length movie. To order the equipment, contact our coordinators. Also you can place an order directly on the site, having issued it here, and our coordinators will contact you to clarify details.

ARRI Alexa / Alexa Plus

Price: 0.00 грн

Vertical Tabs

Техническая информация

Mount Lens	PL
Built-in filters	optical low pass, UV, IR
Imaging device	Super 35mm ALEV III (total 3414 x 2198 pixels (incl. surround view), 28.17 x 18.13 mm (1.55:1)) CMOS sensor with Dual Gain Architecture (DGA) and Bayer pattern color filter array
Number of pixels	7.5 M (total); 5.7 M (effective)
Photosite size	8.25 μm
Auto Pixel Restoration (APR)	_
Sensitivity (ASA)	800
Exposure Index	ASA: 160EI/200EI/400EI/800EI/1600EI/3200EI
Latitude	14 stops
Input Color Space	ALEXA Wide gamut color space (wide gamut RGB)*
Project Frame Rate, fps	23.976, 24, 25, 29.97, 30, 50, 59.94, 60
Frame Rate**	0.75 - 60 fps (ProRes 422 (Proxy), 422 (LT), 422 and 422 (HQ)); 0.75 - 40 fps (ProRes 4444); 0.75 - 60 fps (HD-SDI); 0.75 - 30 fps (ARRIRAW)
Recording format (video)	Apple QuickTime/ProRes 4444, 422 (HQ), 422, 422 (LT) or 422 (Proxy)***
Frame format	2880 x 1620 pixels (23.76 x 13.37 mm (1.78:1)); 2048 x 1152 pixels (16:9 2K) (downscaled from 2868x1614); 1920 x 1080 pixels (16:9 HD) (downscaled from 2880x1620)
Recording format (audio)	Uncompressed PCM, 24 bit/48 kHz A/D conversion****
Used Memory Cards to record	Sony SxS PRO/SxS PRO+
Output De-Squeeze*****	Off (1.0.), 1.3, 2.0
LUT Select
SDI 1/2	Log C; REC 709
Monitor	Log C; REC 709
VF LUT	Log C; REC 709
SxS Rec	Log C; REC 709

Flip Image	None, Mirror horizontally, Rotate 180°
Flicker Reduction	None
Test Signals	Color bars; Test tone (On/Off), level (0 dBFS/-9 dBFS/-18 dBFS)
Useful Functions
Picture Cache Recording (Prerecord)	On/Off, Buffer size (220MB/660MB/1100MB)
Recording on two SxS memory Simultaneously (Dual Recording)	On/Off
False Color Display	+
User 3D LUT	-
Import ASC CDL (The American Society of Cinematographers Color Decision List) files (*.cdl) created by external tools	-

SD Cards slot for Saving Configuration Data	+
Control Display	Right
Network control	-
Power requirements	10.5 to 34 V DC on all inputs
Power consumption	85 W (Values stated here apply to typical use at 24 fps, without accessories, for camera and EVF-1, when recording to SxS PRO cards)
Operating temperature	-20° C to +45° C
Continuous operating time	It differs depending on the recording codec used
Storage temperature	-
Inputs/Outputs	2x slots for SxS PRO cards (SxS) 2x BNC recording out HD-SDI, 1.5G/3G switchable (REC OUT 1 and REC OUT 2) 1x BNC monitoring out HD-SDI 1.5G (MON OUT) 1x XLR 5 pin audio in (AUDIO IN) 1x BNC return signal/sync in HD-SDI 1.5G (RET/SYNC IN, functionality available in future software update) 1x LEMO 16 pin external accessory interface (EXT) 1x Fischer 2 pin 24 V power in (BAT) 2x Fischer 3 pin 24 V remote start and accessory power out (RS) 1x LEMO 2 pin 12 V accessory power out (12 V) 1x LEMO 5 pin timecode in/out (TC) 1x TRS 3.5 mm headphone mini stereo jack out (AUDIO OUT) 1x LEMO custom 16 pin electronic viewfinder (EVF) 1x LEMO 10 pin Ethernet with power (ETHERNET)
Mass	camera body + SxS Module: 6.3 Kg/13.8 lbs
Dimensions	view

* Wide gamut is a generic term for color gamuts that are larger than Rec 709, i.e. DCI-P3 or Rec 2020. ALEXA Wide gamut is the name of the color encoding space used in combination with Log C;
** All speeds adjustable with 1/1000 fps precision;
***1080p .mov files with embedded audio, timecode and metadata;
**** 1x XLR 5 pin AUDIO IN connector for 2 channel, line level balanced audio input, works at 23.976, 24, 25, 29.97 and 30 fps. Audio is recorded into the QuickTime/ProRes file and embedded in all HD-SDI outputs, including ARRIRAW T-Link. Max of 2.5 dBm output from AUDIO OUT headphones connector;
***** Anamorphic De-squeeze shows a properly de-squeezed image (with or without surround view) on EVF-1 and/or MON OUT when working with 1.3x or 2x anamorphic lenses;

Фото